RSS-feed of all of these here.
- Being a 1950s Movie Star – In Cambridge with Ferrania P30 – By Iain McGlinchey
- Whispering Winds on the Brookville Road
- Photography: Split #07 – Shot on Kodak EKTACHROME E100 at EI 100 (35mm format)
- Minolta Hi-Matic 7s and A Sentimental Journey Discovering True Optical Prints – by Shawn Granton
- single frame: The Morris Performing Arts Center
- Rosie's First Swim
- Pergear 25mm f/1.8 Review – A Brand New Lens for my Sony for ~£50!
- Very expired Kodacolor-X on 127 Day
- Start at the Stop: How to respooling 35mm film into 127 (and 120) backing paper
- Caffenol for Breakfast – My First Experiments with Homemade Developer – By Steven Bleistein
- Ferry Seating
- My first roll… Western Poland on Fuji Fujicolor C200 in a $20 Fed-5B + Industar 61-L/D 55mm f/2.8
- 5 Frames with a Zeiss Contaflex Super and Berlin Kino 400 – By Dan Smouse
- Recommended reading
- Ilford HP5+ at Adventurous ASAs – By Kieran Newman
- Old US 31 in Kokomo, Indiana
- Returning to Film with a Canon, a Nikon and a Touch of GAS – By Simon Rikowski
- single frame: Drive thru open
- 5 Frames of Miniature Nostalgia with an Exa 500 – By Peter Roberts
- How not to do customer service
- 16mm Film – Shooting Subminature Film in 2021 – By Bob Janes
- New construction in southern Downtown Indianapolis
- NEWS: Negative Supply Light Meter LM1 – Kickstarter launch
- 5 Frames… Of acetate negative cyanotypes, with a ‘How-To’ so you can as well
- ‘Cool Retro Cameras’ – The Nikon Z Fc – Just ‘Cool’? Or Something More?
- Walking the south side of Downtown Indianapolis
- Camera review: The utilitarian Kiev 60
- Accidental Film Soup with a Canon Sureshot A1 – By Rob Orchard
- Swooping
- 5 Frames… At Pennsylvania’s Trolley Graveyard on ILFORD Delta 400 (35mm Format / El 400 / Canon Elan IIe + Canon EF 50mm f/1.8 II)
- SEM-KIM (1947) – An Amazing Old Camera Shot in B&W and Color – by Jordi Fradera
- Recommended reading
- My first roll… Of 35mm film: Fuji Superia X-TRA 400 in a Pentax K1000
- My first roll… Of 35mm film: Fuji Superia X-TRA 400 in a Pentax K1000
- Filling a Niche Market With the m_v Double Shoe Accessory – By Hern Tan
- US 31 from Peru to Kokomo, Indiana
- Pandemic Shooting – The Corona 35r Review
- The Nikon FE
- Monochrome Mania #5 – Lens Dreams
- 5 Frames… Of Bergger Pancro 400, shot in a Holga 120N, so an EI of 400? (120 Format + red and orange filters)
- Film Photography Podcast 275
- How I Loaded and Shot a Univex Mercury with 35mm Kodak Ektar 100 – by Stuart Jenkins
- single frame: Ilford FP4 Plus then and now
- Olympus Stylus Epic DLX (1997)
- Developing A Modular Pinhole Camera – By Nils Aksnes
- A quick visit to Central State
- July 2021: Price adjustments incoming from the UK’s ILFORD Photo
- July 2021: Price adjustments incoming from the UK’s ILFORD Photo
- Minolta Hi-Matic G – The Bare Essentials – by Cosmo Coughlin
- single frame: The Stamp Shop
- Zeiss Ikon Symbolica
- Kiev 60 TTL – Medium Format SLR Review – By Michael Elliott
- 5 Frames… Of Kodak Portra 400 under tungsten light, color corrected in post (35mm Format / EI 400 / Nikon F3 + Nikon 50mm f/1.8 Series E)
- Kosmo Foto “Agent Shadow” Kickstarter – Give it that Final Push!
- Everyday life, half a world away
- Going underground: Documenting the history, legacy, and radioactivity of uranium mining with autoradiograms
- 5 frames on the Thailand Northern Railway with Nikon SLRs – By Sukrit Chomsawat
- Clouds and Pine
- 5 Frames… Fujifilm NEOPAN 100 ACROS on a Voigtländer Bessa III 667 (120 Format / EI 64 / Heliar 80mm f/3.5)
- 5 (x 2) Frames of the Columbia River Gorge on Kodak Elite Chrome 100 with an Olympus Pen EES-2 – by Shawn Granton
- Recommended reading
- My first roll of film… Buenos Aires on Fuji Color 200 (Meikai EL)
- Plustek OpticFilm 135i Review Part II – Panoramic Film Holder and Investigating ‘Panorama Mode’ – By Bob Janes
- Old US 31 in Peru, Indiana
- How Could I Ignore My Rollei 35TE?
- Photography: Pure gold – Shot on Fujifilm FUJICOLOR 100 at EI 100 (35mm format)
- Seeking Control through Simplifying the Digital Experience – By Vic Mortelmans
- single frame: New old barn
- 5 Frames… Of 1977-expired Agfapan 100 Professional with a Nikon FM2n (35mm format / EI 50 / Nikkor 50mm f/2.0 AI)
- Own a Camera From RCB!
- 5 Frames in a Utah Park with an Olympus Stylus and Kodak T-Max 100 – By Dan Smouse
- Sears Tower Flash 120
- Zenza Bronica S2A – Early Experiences Review & Buyer’s Notes – By Mark Herse
- single frame: Downtown Stonegate
- 5 Frames… Of garden macros on Lomochrome Purple a Minolta X-370 (35mm Format / EI 200 / Minolta MD 50mm f/3.5 Macro Lens)
- Meyer Optik Görlitz 58mm Primoplan f/1.9 II (The New Version) Review
- Michigan Road historic marker in Boone County, Indiana
- Month in review: February 2021
- 5 Frames with a Yashica T2 and Kodak Portra 400 – By Nathan Bobinchak
- More Aspens
- 5 Frames… Around China’s Huangshan on Kodak T-MAX 400 and a Leica R6 (35mm format / EI 400 / Leica Summicron-R 35mm f/2.0
- 5 Frames of Oysterville, Washington on Portra 400 with an Olympus 35 RD – by Shawn Granton
- Recommended reading
- NEWS: AuRA Rotary Assist Film Developing Machine – Kickstarter Launch
- My first roll… Kodak Gold 200 in an Olympus OM20 (35mm format, EI 200, Olympus Zuiko 50mm f/1.4)
- Leicaflex SL – Walks in Barcelona – By Jordi Fradera
- Old US 31 in Mexico, Indiana
- Rock, Paper, Scissored ? -Paper Shoot Camera Review
- Photography: On the line – Shot on Kodak Portra 160NC – unperforated (35mm Format) at EI 100
- Condensing Time – by Christian Schroeder
- single frame: Do not hit baseballs against the fence
- Kodak Brownie Hawkeye – A Review of Mum’s Camera – By James Hanes
- Ansco Standard Speedex
- Announcement: Kodak supply chain issues require a temporary change to all 35mm canisters effective immediately
- Photography: Front and back – Shot on Fujifilm NEOPAN 100 ACROS II at EI 100 (120 Format)
- Agiflex – The British Medium Format SLR – By Bob Janes
- single frame: Second base
- 5 Frames… Of Yosemite on Fuji Pro 400H on a Yashica Mat-124 G (120 Format / EI 400 / Yashinon 80mm f/3.5)
- Developing Slide Film – Not for the Faint Hearted – by Laura Cogan
- Two years with Ko-Fi — and thank you!